Where are you from?
Cobham in Surrey, UK – but the bungalows in our tidy little cul-de-sac have now been replaced by footballer mansions. Brighton is my home town now; I love the pier and find my characters turn up there for important scenes.
As a child, what did you want to be when you grew up?
An author, of course! I was making sellotaped books at six years old. But when I was about ten my mother sent a story I’d written to Pony Weekly and I got my first rejection; it rather put me off. I switched to music and composing, and then, much later – don’t ask me why – to science… I’m now back where I started, but with someone else sticking the books together.
Tell us about MEN DANCING. And do you have anything new in the works?
MEN DANCING is the story of a married, mother-of-two scientist whose world tilts after a chance meeting with a charismatic male Royal Ballet dancer. I’d call it a darkly humorous romance.
My next novel, FLAMENCO BABY, is still at the tinkering stage. It follows a bodyclock-deafened musician who asks her gay best friend to donate sperm. When he unexpectedly declines and offers a flamenco course instead, his consolation prize changes both their lives…
Why did you write MEN DANCING?
Like the main character Rosie, I was feverishly in love with ballet and looking for a more creative existence.
How did you come up with the title?
It was originally called The Dancer, as he’s the catalyst for everything that happens. But then I realized it was about her relationships with all of the men in her life, including her sons. In her ballet-obsessed mind she sees them as dance partners.
How did you choose your genre?
I didn’t, it chose me. I always aspired to be quite literary, given my reading tastes, but as soon as I started writing there was this flippancy that wouldn’t go away. I’ve learnt to work with it.
What inspired you to be a writer?
My daydreams; I’ve spent half my life in them. I’ve probably got ‘Maladaptive Daydreaming’, according to the net, but it’s damn useful for writing dialogue.
Who is your favourite character in your books?
I should say Emma, since I took her with me into the second novel; she’s the girlfriend that tells you when you’re talking complete crap. But I also recall being all aflutter before some of the scenes with sexy boy-man ballet dancer Alejandro…
Have you ever used contemporary events or stories “ripped from the headlines” in your work?
Headlines – no, and I’m not likely to as I never know what’s going on. But contemporary events – yes, if you count the programming at Sadler’s Wells Theatre and the Royal Opera House. Oh, and the Spanish World Cup matches that I had on the telly in FLAMENCO BABY. For both novels I put all these dates in a diary – along with school and public holidays, Spanish fiestas, music / literary festivals and any other real dates that may affect my characters’ lives. I seldom change these things; they act as a comforting constraint – stopping me sitting there staring at a blank page of countless possibilities.
What's the weirdest thing you've ever done in the name of research?
I stalked a famous dancer’s London home for what felt like all morning but was in fact less than an hour. It was awful: scary and demeaning. And of course it rained and there was no café opposite like in the films…
Do you ever suffer from writer's block?
No. I have periods where I mull rather than actually scribble or type, but that’s part of the process.
Who is your favorite author? What books have most influenced your life?
Penelope Lively. I find her writing deliciously elegant, insightful, humorous, moving… Uh, I have one massive crush on this lady! Can’t wait to read her new novel HOW IT ALL BEGAN, out this month. But as for books that have most influenced my life… well, my own humble produce I suppose.
Is there anything you find particularly challenging about writing?
No, writing is all pleasure for me. But authoring is another matter, lots of challenges there – mastering social media, bookshop events (I’m more shy than I let on). But the worst? I can’t stand it when people ask who my characters ‘are’, and the way they assume that everything my female protagonist does is something I’ve actually done or (worse) want to do. Listen once and for all, people: it’s made up! Obviously I write about things I need to explore, but it’s like dreaming — you shouldn’t take it literally.
What tools do you feel are must-haves for writers?
A computer obviously. But also a tactile elasticated notebook you can stick a (preferably coordinating colour) pen in, with a pocket in the inside back cover for keeping a print out of your diary and last chapter. I never go anywhere without it.
What advice would you give to writers just starting out?
Skim read about five books on how to write novels, then find something you really have to write about. Mull over a plot for a few months, but don’t get too bogged down with the details – and particularly the ending – as once your characters come to life they’ll do what the hell they like with it. Then just start; there’ll never be a perfect time, so why put it off?
How did you deal with rejection letters?
Badly. Still traumatized by Pony Weekly…
