Thursday 13 October 2011

HOW COME YOU'VE SUDDENLY GOT A... BOOK?

Like many people, I always thought I’d write a novel one day; I just needed to be older, wiser and a lot less busy. But a few years ago I was visited by an idea that came crashing in and didn’t care about these things – or the fact that I was supposed to be concentrating at a work conference abroad. But perhaps I’d seen it coming, because in the bag with the cures for unexpected afflictions I’d packed a little notebook-with-an-attached-pen.
      Suddenly everything other than writing was unbearably irksome. I never doubted that I’d reach the end; it wasn’t a case of hard work or self-discipline, I just had to follow the natural course of the thing. It took only six months. Elation.
      But then depression; I needed another idea, quickly. And I needed to get MEN DANCING published, so I’d have a chance of being able to afford to spend more of my week writing. So after experiences with literary consultancies that ranged from bad (don’t ask) to invaluable (Cornerstones), I bought the Writer’s Handbook and started sending submissions to literary agents.
      A lot of them. In retrospect it was crazy of me to have put myself through this so many times, but among the standard rejections there were positive remarks that kept giving me hope. Anyway, by then I had the welcome distraction of researching and starting my second novel. Then it happened: two literary agencies asked to read the full manuscript, and there were four agonizing months… and two more ‘no’s, even if one wants to read my second novel...
      I’d had enough. Sod the agents, I thought, you don’t need one for independent publishers. Although they are also neck-high in submissions… Then just when I was considering self-publishing, two independents offered to publish my novel. As I believe is common for these smaller publishers, they offered no advance but a generous percentage of the sales.
      I chose Indepenpress; I’d liked them at the London Book Fair, and by coincidence they’re based in Brighton so it’s easy for me to pop in and see them. I’ve been delighted with the friendly and helpful attention I’ve received – and their tolerance of my occasional wobbles about one thing or another. I don’t know how I would have coped with a big publisher for whom I was just an expendable Grand National horse; I’ve heard awful stories about lack of involvement in the cover design and inadequate marketing. Okay, my independent can’t afford to buy me on to the 3-for-2 table, or put up huge posters at all the London stations. But at least I’ve been involved in everything and don’t have to live with a book cover showing a male ballet dancer’s buttocks.